Minggu, 18 Januari 2015



                  Curried Chicken Pineapple and Spicy Sour Meat



  • ·         Curried Chicken Pineapple

gulai ayam nanas


Curried Chicken Pineapple,typical Minang, Padang, Indonesia has a very savory taste because there is a fusion between the taste of chicken, pineapple, spices and coconut milk. Cuisine this one is also very popular, especially for people Minang, Padang, Indonesia. the workmanship and processes and materials are also almost the same as the usual chicken curry, it's just that there is a combination of pineapple.

As for the recipe ingredients and how to make it is:

Ingredient:
  1. 1 whole chicken, cut into 6 part
  2. 1 lemon, squeeze the water 
  3.  2 bay leaves
  4. leaves of turmeric 
  5. 2 stalks lemongrass, crushed 
  6. 2 lime leaves
  7. 1.5 liters of coconut milk diluted from 2 coconuts
  8. 500ml coconut milk
  9. salt to taste
  10. 1/4 pineapple, cut into pieces
  11. 3 tablespoons cooking oil

Ground spices:
  1.   5 red chilies curly
  2. 4 large red chilies
  3. 8 red onions
  4. 4 cloves of garlic
  5. 1/2 teaspoon pepper
  6. 1 teaspoon coriander
  7. 2 cm turmeric
  8. 2 cm ginger
  9. 1 cm galangal

How to make:
  1. Rinse the chicken, coat with lemon juice and salt, let stand a minute, drain. 
  2.   Heat oil, saute ground spices, add the bay leaves, turmeric leaves, lemon grass ,and lime leaves. Stir until fragrant.
  3. Add chicken, and cook until half cooked. Enter stir chicken into thin coconut milk, and cook until boiling.
  4. Pour the coconut milk thick and cook until the chicken is tender, the sauce thickens, and greasy. New enter pineapple, stir, remove from heat. Serve warm.

  • ·         Spicy Sour Meat

Resep Masakan Indonesia: Daging Asam Padeh khas Padang

Indonesian cuisine recipes, Meat Acid typical spicy Padang, Indonesia. Acid spicy meat tasted sour and spicy, so if you have ulcer disease should not eat too much.

Ingredient:
  1. 1/2 kg of meat, cut into 1 cm
  2. 1/2 liter of water
  3. 200 gr minced chili
  4. 2 lime leaves
  5. 1/2 sheet turmeric leaf, node and torn
  6. 2 stalks lemongrass, crushed
  7. 1 piece kandis acid
  8. 1/2 teaspoon salt

Ground spices:
  1. 4 red onions
  2. 2 cloves of garlic
  3. 1 cm ginger
  4. 1 cm galangal

How to make:
  1. Cooked or boiled water with the meat, minced chili, mashed seasoning, lime leaves, turmeric leaves, and lemongrass with a low heat until boiling.
  2. Once the meat is rather soft, enter kandis acid and salt. Continue cooking until the meat is tender and the flavors mingle. When the meat is tender and the water has not stay little add hot water to taste. When the meat is tender and the flavors mingle. Lift.


                                                                  Good Luck

source:
1. http://pankersnews.blogspot.com/2013/11/gulai-ayam-nanas-khas-pelalawan-beserta.html
2. http://www.resepnya.com/3557/resep-masakan-indonesia-daging-asam-padeh-khas-padang/

Selasa, 13 Januari 2015

My Holiday

My name vivi mutia yuheva, will tell me for three weeks holiday is that after sharing raport UAS from 24th December 2014 to 11th January 2015. Because my math scores less so I had to follow the short semester on the 24th, 26th, and 27th, and I have to follow the short semester on the 6th and 7th, on the 28th, 29th, 30th, 31st december, and 1st january, I did the same routine of watching tv, listen to music, sleep. On 2th january me and the family went to Grandma house in Jakarta, Indonesia.
There I tried to wear clothes from my grandmother made for me and my sister, who for me is three skirts and two shirt, and a shirt for my sister, me and my sister likes that shirt. besides trying to wear clothes from my grandmother, me, my sister, and my brother do lunch, watch tv that was in my grandmother's room, and I asleep while watching TV, I kept waking up at the afternoon, at night my family and I go home, and up to hours 12pm, when my family and I reached the house my family and I go straight to bed in each room.
Tomorrow it is the 3th and 4th january of me and my family a break, that is to watch tv, sleep, and some other activities. on the 5th of January I and my best friends are hanifa and fida go to a mall for for roads and after streets me and go watch a movie at home fida, but me and my friends do not watch until the end because I had to go home, so my friends watching the other I've ever watched, I arriving home at 9pm the night.
On January 6 next day I had to go to school because they have short semester English and it turns out dated January 7 also need an english short semester, when I had a promise to my friend that hanifa and fida January 6 after a short semester English fida will stay for a two days one night at home fida, so I decided to stay for a two days one night at home fida but I have to go home at 7am morning. In fida home I, hanifa and fida cook, play, continuing the film which was delayed at the previous day's.
on the 8th I watch tv, listen to music, sleeping, and other activities. and the 9th and 10th I have a camper from extracurricular PMR (Red Cross Youth) for a-b training, and the 11th, the last day of my holiday break and prepare items for school. and that's my vacation for three weeks.

sorry my grammar and typo

Selasa, 06 Januari 2015

        The Daeyang Gallery and House
   

     Its not exactly a house, nor entirely a gallery, but it does have a wine bar—and might best be described as “semi-public.” That said, Steven Holl is comfortable with fluid, hybrid typologies, having designed projects such as the Linked Hybrid complex in Beijing, which combines housing, retail, cinema, and recreation. But for the Daeyang Gallery and House, his first project in Korea, the New York architect also threw in an avant-garde music metaphor, a mathematical reference, and a hefty dose of the “phenomenology” for which he is known. The result is a 10,700-square-foot compound that, despite its heavy-handed complexity, resonates with remarkable subtleties.
     Built for the Daeyang Shipping Company to display its collection of art, which spans from ancient Korean artifacts to cutting-edge contemporary works, the project occupies a hilly site in a posh residential section of Seoul. It comprises three pavilions—a guest residence, an event space, and a reception area—that emerge from a reflecting pool on the roof of a sprawling, lower-level gallery.
     As inspiration for the plan, Holl used a drawing he discovered in a John Cage book of a 1967 musical score by the Hungarian-Canadian composer István Anhalt. Holl followed the sketch to a tee: two rectangular-ish shapes in the upper-left and -right corners (which he used as the footprints of the events pavilion and guesthouse), pierced from below by a vaguely sword-shaped element (now the reception space with the wine bar). He recast the spaces in between as the building's reflecting pool. “Music, in the form of the graphic of the score, was a heuristic device provoking the three-pavilion concept piercing the sheet of water,” Holl explains.
     Before the heuristics begin, however, you drive into a stone-paved courtyard, then enter the building at the lower-level gallery. From a split-level foyer, you take steps down or go up ramps to traverse three pleasingly diverse gallery spaces that then lead to the pavilions upstairs. Throughout the project, 59 linear skylights, parallel but staggered irregularly, bring daylight inside. Many of the skylights are set in the reflecting pool, so light trickles through water before entering the galleries below and dancing across walls and floors. “The skylights cutting through like [musical] staff lines allow sunlight to reconfigure the spaces daily and seasonally—as if the sun plays the music in light and space,” Holl says.
        A similar sense of fluctuation applies to the spaces themselves. One set of stairs and ramps boomerangs up, through the reflecting pool, and then to the wine bar. Surrounded by a garden with stands of black bamboo, pines, and gingko trees, the glass-and-copper pavilions create mesmerizing reflections in the pool while offering shifting perspectives of landscape, water, and architecture.
       Such visual effects are heightened by the pavilions' floor-to-ceiling, double-paned glass. Instead of mullions, Holl employed barely noticeable support fins for the glass, which creates an elegant look but required one of the flat, overhanging roofs to be cantilevered and steadied by piano wire.
         Other Holl signatures make an appearance: a door that wraps into a corner, notched walls, and neo-constructivist lighting fixtures. (Like many Holl projects, the building is geothermally heated and cooled.) The architect also designed custom-made rugs, which abstract the Anhalt drawing in shades of mustard, green, and Matisse blue. He even created a sculptural mailbox.
       But just when you start to feel overwhelmed by a sense of Gesamtkunstwerk, the building allows your eyes to regain focus. A restrained material palette—granite and concrete below, dark oak floors and reddish wood walls and ceilings on the pavilion level—tone things down. Muted details, such as curving feet for gallery railings and recessed lighting that almost disappears, further soften the pedantic blow.
       Holl's buildings, and his readings of them, sometimes feel overwrought. Besides the Anhalt sketch, the Daeyang project ostensibly follows proportions based on the mathematical sequence 3, 5, 8, 13, 21, 34, 55—the Fibonacci series. Of course, math, music, and architecture have a long history of conspiring at some larger truth; Holl himself has taught a course at Columbia called “The Architectonics of Music.” But as an intellectual exercise, that triumvirate feels nearly exhausted—in the Seoul project, it risks becoming a contrivance, an overabundance of concepts. Still, that ought not take away from Holl's experiential accomplishment here. Cutting through the rhetorical clutter, one finds a building that is, in reality, full of sublime moments.
 
Source=
archrecord.construction.com/projects/portfolio/2012/05/daeyang-gallery-and-house.asp
                       Short Semester

      I would tell you about my short semester. Short Semester is A few days in our holiday and used for additional value to qualify in order not to re-contract.
      This is my first time for me. l'm following is a short semester mathematic and short semester english. I followed the short semester mathematics for three days, two days of learning, namely 24 th and 27 th, and one day test is the 28 th and short semester English for two day.
      atmosphere while learning mathematics in the 24 th and 27 th is silent, that there are many who come for short semester. Lessons learned on the 24th of that chapter 1 and on the 27th of that chapter 2 and 3, Because silence, I became the concentrations studied. Usually when learning I can not concentrate, because fuss. Many do not understand about chapter 1, but since the short semester, I so understand about chapter 1. If chapters 2 and 3 I stayed learn some who have not understood.
      But somehow on the 28th that moment I can only test a few questions, and I already understand how time in looking for the answer but not even met-met. So the question that I have not the content I replied origin, due to run out of time. Done in tests I asked my friend faris "hard or easy?" Continue faris replied "middling".
      Only a few short semester English language that only two people plus me And I was given the task to read the story in the paper that had been given teacher. Then the teacher asked a question according to the story in the paper that I had read.
      Feelings I while get the short semester, angry, sad, disappointed, just jumbled. Actually the math I've thought if get short semester, but I do not think the English language can be short Semester.
      Starting today I was determined to be diligent study, do not lazy anymore.

fighting

sorry my grammar and typo